Danielle Scruggs, "Untitled", 2013. Archival pigment print, 7 1/2x6"

Danielle Scruggs, “Untitled”, 2013. Archival pigment print, 7 1/2″ x 6″


Taking photographs allows me to articulate things I do not often express in my day to day life. It’s a way for me to distill my experiences and thoughts into light and shadow on a screen or a print. Being a photographer and having a camera in hand also gives me access to places that I otherwise would not be able to, both figuratively and literally speaking. Strangely enough, being the subject of my Self-Portrait series, which I started in 2010, brings me a sense of terror and relief. Terror because being in front of the camera and the center of attention, shakes me to the core, every time. I’d much rather be the fly on the wall, listening and observing, not the one being observed. The relief comes from being able to share a personal visual memoir, being able to put myself front and center as many black women’s narratives are often missing from public discourse or shaped and framed by people who are not black women. This has historically been the case in fine art, media, and pop culture at large.

Scrugg’s work at Woodstock, which she started during her three week artist residency, is an extension of this project. She expanded upon this series by adding landscapes, in addition to self portraits. The places she shot in Woodstock were places she felt a natural affinity for, and they’re as much a portrait and my state of mind as the photos of my face and body, which also interact with the landscape in various ways.

Danielle Scruggs is a photographer and photo editor living and working in Chicago, IL. She has exhibited her work throughout the D.C. metropolitan area, Brooklyn, Baltimore, and Los Angeles. Her first solo exhibit, Body Politic: Cultural Identities and Representations of Black Women’s Sexuality debuted in 2013 at Luther College (Decorah, IA). In addition to her residency at CPW, Scruggs has been an artist-in-residence at the Pleasant Plains Workshop Studio Residency (2013) and The Wassaic Project (2012). The Washington Post, PBS MediaShift, Social Studies DC, Ebony, Stop Smiling Magazine, and Living Social have published her editorial and commercial work. She has also written essays and reviews on arts and culture for The Liberator Magazine, Charm City Current, and Specter Magazine. She also co-founded Mambu Badu, a collective of cultural producers and artists who curate exhibits and publications that center the process and product of Black self-identified women photographers and lens-based artists.


Danielle Scruggs was a CPW Artist-in-Residence in 2013.