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*REMEMBER IF A CLASS YOU WANT TO REGISTER FOR IS FULL - GET ON THE WAIT LIST - IN THE EVENT A CANCELLATION OCCURS!
Craig J. Barber: Experimental Pinhole Photography
Sat-Sun May 31-
June 1
In
this two-day hands-on workshop you will learn to make your own pinhole
cameras and depart from the world of hi-tech equipment to one of
simplicity and liberation. Due to its infinite depth of field, the pinhole
camera has unique abilities to redefine the world, whether working in
extreme close up or playing with depth perception. In addition, its slight
soft focus creates a dreamlike quality that is capable of rendering
expressive images with an ethereal effect. It is also the perfect match
for those interested in alternative processes, as you begin with an
enlarged negative from the start!
CRAIG J. BARBER
is a photographer who travels and works exclusively with the pinhole
format and focuses of the cultural landscape. During the past 10 years he
has focused his camera on Viet Nam, Havana, Cuba and the Catskill region
of New York State. In each, documenting a culture in rapid transition and
fading from memory. His work has been exhibited throughout the United
States, Europe and Latin America and is represented in several prominent
museum and private collections including the Museum of Fine Arts, Houston;
the Victoria and Albert Museum, London; the Brooklyn Art Museum; the
George Eastman House, Rochester, NY; and Museo Nacional de Bellas Artes,
Buenos Aires, among others. He has received several grants including the
Seattle Arts Comission, the Polaroid Corporation and the New York
Foundation for the Arts. In 2006 Umbrage Editions published his book, Ghosts
in the Landscape: Vietnam Revisited.
His website is www.craigbarber.com
please
bring:
a portfolio of 10
prints, small notebook and pencil, watch with second hand or a stop watch
/ additional materials
provided by CPW via your lab fee.
class
limit: 12
tuition:
$325
/ CPW members: $295
Lab fee: $60
PUBLIC
LECTURE SATURDAY, 8 PM
Barbara Ellison:
Getting the Best Results from the Canon Digital SLR
Sat-Sun
June 7-8
Please
bring: blank CD ROMS or flash drive to store images — PC or MAC okay and
a laptop (if you have one) is optional.
Class limit: 15
Tuition: $225 / CPW
members: $195
Josephine
Sacabo: Images of the Psyche: Seeing the Unseen
Sat-Sun
June 14-15
“Invisible
connection is stronger than visible. To arrive at the basic structure of
things we must go into their darkness.” –
Heraclitus
We will begin by
talking about a personal dream or imagined images and explore the
qualities in them we may want to make into photographs. We will share and
review portfolios, and Josephine will show you her latest work dealing
with these themes and expressing what was revealed to her after the fact
by the images themselves. We will then go out to photograph. Whether you
choose to make images of the landscape, models, objects you’ve brought
from home, or found items on location… Josephine will be there to help
with techniques that can yield the results you envision. After our shoots
we will share some of the work made and discuss what is communicated by it
to one another. This class is open to all photographers working in any genre with any
format.
JOSEPHINE SACABO, a native of Laredo, Texas, lives and works in New Orleans, LA. Prior to settling in New Orleans, Sacabo lived and worked extensively in France and England. She uses poetry as the genesis of her work and it is poets she lists as her most important influences – among them – Rainer Maria Rilke and Juan Rulfo. Her books include Une Femme Habitee, published by Editions Marval in Paris, Pedro Páramo, illustrated with Sacabos’ photographs, and 21st – The Fine Journal of Contemporary Photography. Sacabo’s work is represented in NYC by John Stevenson Gallery, in New Orleans by A Gallery for Fine Photography and has been exhibited in Madrid, Buenos Aires, Paris, Los Angeles, Guatemala City, London, Mexico City, New York, New Orleans, and is included in the collections at the Houston Museum of Fine Arts, the New Orleans Museum of Art, the Art Institute of Chicago, the Museum of Modern Art, the Whitney Museum, Wittcliff Collection, Museum of Fine Arts in Boston, and the George Eastman House. This is Josephine’s third workshop with CPW, she has also taught at Recontres International in Arles, France and at the Palm Beach Photographic Center. To learn more about Josephine, visit www.josephinesacabo.com.
Participants should bring:
things that reappear in your dreams or that haunt you as items to
photograph, (a model will also be available), your favorite camera and
film/memory cards, a portfolio of 10-20 prints, and found images that
compel you.
Class limit: 15
Tuition: $325 / CPW members:
$295
Model fee: $60
PUBLIC
LECTURE FRIDAY, 8 PM
TOP
NYC PORTFOLIO REVIEW
10:30-4:30
/
Monday June 16 or
Friday September 6
Join
CPW for a very special portfolio review event where you’ll have the
opportunity to show your work to some of the most distinguished and
important professionals in photography today. Held in NYC, in a supportive
setting, you will have your work reviewed by five noted luminaries in
one-on-one twenty-minute sessions. Reviews can provide you with
constructive feedback, new directions, and perhaps that jolt of
inspiration to take the next step. Testimonies from last year’s
participants included: “great feedback by committed and engaged
reviewers”, “informative and inspirational”, “one-of-a-kind,
unpretentious, and fun”, “a great place to trade ideas”,
“encouraging, helpful, and insightful”, “I got what I was looking
for and made connections”, “open minded, honest, and thoughtful”,
“it changed me and helps break barriers to the NY art world”.
In the June session you will meet with Jennifer Blessing, Curator of Photography at the Guggenheim Museum; Michael
Foley, founder of Foley Gallery; Craig
Cohen, Vice President and Associate Publisher of Powerhouse Books; Clinton
Cargill, Associate Photography Editor
at The New York Times Magazine
and Michael Famighetti, Editor
at Aperture. In the September session you will meet with Debra
Klomp Ching, owner KLOMPCHING Gallery; Daniel
Cooney, owner Daniel Cooney Fine Art; Tracy
Doyle, Photography Editor at Interview;
William Hannigan,
co-founder of Vaughan Hannigan Artists; Whitney
Johnson, Associate Photo Editor at The
New Yorker. Additionally
a representative from CPW will also be reviewing work at each session.
Please
bring:
a portfolio of 10-20 prints for review, resume, and optional artist
statement
Class limit:
12
Tuition:
$235 / CPW members:
$205
NYC location directions will be sent upon registration confirmation.
Joan Barker: Introduction to Photography
Sat-Sun, June 16-17
Just
getting started? Want to begin again after a long time? Ready to go beyond
snapshots? In this two-day, hands-on individualized workshop – limited
to just six participants - you
will learn the basic foundations of photography and how to make a
successful picture and print within a supportive environment.
What begins this weekend may lead
to a new career and/or almost certainly a life passion!
No previous experience necessary. To best understand the basic
foundations of how photography and light works, this class will employ the
use of 35mm SLR cameras and silver film, but much of what you learn can
later be applied to digital applications as well. For those with digital
background this class will allow you to better understand the photographic
principals relative to both.
JOAN
BARKER is an independent photographer, artist and educator living in New Paltz,
NY. In
her personal photography, Barker pushes limits and employs both
traditional and experimental methods. Her wide breadth of knowledge spans
a variety of camera formats, as well as traditional and alternative
techniques. She completed her MFA in photography at SUNY New Paltz where
she has been teaching for over ten years. Joan is the recipient of a NYFA
Fellowship, The Village Voice
Photography Grant and two CPW Fellowships. Her photographs have been
featured nationally in one-person shows including OK Harris in NYC and
Friends of Photography in San Francisco. Her work has been included in
exhibits at the Photographers’ Gallery in London; Photohozos in Athens;
Carrie Haddad Gallery, Hudson, NY; Cooper Union, NYC; and
the Samuel Dorsky Museum of Art, New Paltz, NY to name a few. Joan’s
photographs are part of numerous collections including The Center for
Creative Photography in Tucson, AZ , the New York Public Library in NYC
and the Bibliotheque Nationale de France. Selected publications include
the Chronicle for Higher Education,
Independant on Sunday, London, UK, the New
York Times, Photonews, Hamburg, Germany and Die
Tageszeitung, Berlin, Germany. Her website is www.jbarkerimages.com.
Please
bring:
35mm SLR camera (If you don't
have one, please contact us and we can arrange to provide one for class
use), photos you have taken that you would like to share with class or
that you have questions about are welcome, as are images by other
photographers that you admire – from books or magazines.
Class
limit:
6
Tuition: $255 / CPW
members: $225
Sat-Sun
June 21-22
In this workshop you will find out
how to produce a book of your own photographs. You will learn how to
develop a book idea, create a dummy, and how to locate editors, designers,
and a publisher who will have the most interest in your work. We will also
explore the best markets for your book. Photographers who already have
ideas for books should bring their concepts to the class and those who may
still be unsure will discover new ideas here.
PHILIP TRAGER is a fine art photographer who has
received international critical acclaim for his photography, particularly
within the genres of architectural and dance photography. His most recent
books are Philip Trager, which
accompanies his traveling retrospective exhibition and Faces,
both published by Steidl. His other books include Echoes of Silence, Photographs
of Architecture, Philip Trager:
New York, Wesleyan Photographs,
The Villas of Palladio, Dancers,
Persephone, and Changing Paris.
Trager’s books have been awarded many honors, including three selected
for the Annual Holiday Book issue of The New York Times Annual Review of
Books and his books have also been selected as Best Books by Interview,
Vanity Fair, The Times
(London), New York Magazine and
others. His work is included in numerous museum collections including
Bibliotheque Nationale, Canadian Centre for Architecture, Center for
Creative Photography, Corcoran Gallery of Art, and the Metropolitan Museum
of Art. Philip has taught at CPW and at the Maine Photographic Workshops,
and specializes in the topic of how to publish photography books.
Please
bring: at least 30-40 of your
photographs (original prints or quality copies no smaller than 8x10,
larger than 11x14, or 16x20 at most- no slides or discs) and and
a CD with 3 uncropped images.
Class
limit:
10
Tuition:
$325 / CPW
members:
$295
PUBLIC
LECTURE SATURDAY, 8 PM
Elinor
Carucci: Personal Narrative
Sat-Sun
June 28-29
How
do we photograph our private lives? How do we picture the personal? This
two-day intensive workshop is designed for those interested in using
photography in a diaristic fashion to explore your personal vision of your
life, what you are most close to, and what you want to get close to with
your camera. Whether you are currently making portraits, creative dramas,
documentary, editorial, or even fashion – this is a class about making
art from inside your life and creating work that is intimate and personal.
Please
bring:
a pre-class assignment will
be sent prior to class, please bring this along with a portfolio of 20
prints, and work from magazines, films, or books by other artists that
hold meaning for you.
Class
limit:
15
Tuition:
$325 / CPW members: $295
PUBLIC LECTURE, SATURDAY, 8PM