Thoughts of Home: Photographs from the Center for Photography at Woodstock's Permanent Collection.
Currently
at the Samuel Dorsky Museum of Art at SUNY New Paltz is the exhibition Thoughts of Home: Photographs from the Center for Photography at Woodstock's Permanent Collection.
This exhibition of photographs from the Center for Photography at Woodstock's permanent print collection explores a trend among photographers, in the latter part of the 20th century, to focus on what has unofficially been termed "the familiar".
What is inside our homes is in some ways more important than what is on the outside. The objects we live with - furniture, rugs, art works, and knick knacks - support not just a sense of one's identity but the identity of others who reside with us. These objects, and those included outside our front and back doors, are documented by each photographer with the intent to connect us to one another, to eliminate the sense of loneliness and act as a visual investigation of beauty, personal narrative, and memory.
Curated
by Wayne Lempka, this exhibition prominently features a large number
of works from the Center's Permanent Print Collection including pieces
by Marla Sweeny, Larry Fink, Judith Black, Stacy Renee Morrison, Beatrix Reinhardt, Lilo Raymond, Preston Wadley, and Stephen
Shore, amongst others!
The exhibition runs till December 12, 2010, and reopens for a second run from January 26 - March 18, 2011.
To learn more about this exhibition, museum hours, and directions to the Dorsky Museum, click here.
Marion Faller, Untitled, n.d., C-print, courtesy of the Center for Photography at Woodstock, Permanent Print Collection, on extended loan to the Sameul Dorsky Museum of Art, SUNY New Paltz
Jeannette Louie, Matter, 2007,
archival inkjet collage, donated by the artist
Justine Reyes, Still Life with Tea Set, Picture Frame, and Cake from Vanitas series,
2009, C-print, donated by the artist
Martin Munkacsi, Motorcyclist, Budapest,
1923/1997, silver gelatin print, donated by Akin, Gump, Strauss, Hauer & Feld LLP
Mary Ellen Mark, Beautiful Emine Posing, Trabzon, Turkey, 1965, silver gelatin print, donated by Akin, Gump, Strauss, Hauer & Feld LLP
Xaviera Simmons, Untitled #6, from the American Book Covers series,
2006, C-print, donated by the artist
Dan McCormack, Black Bombers
from Wendy series, 1980, gelatin silver print, donated by the artist
Ida Wyman, Sidewalk Clock, NYC, 1947,
silver gelatin print, donated by Akin, Gump, Strauss, Hauer & Feld LLP
Karen Davis, Tom Walks Alone, from The McCann Family series,
2008, digital C-print, donated by the artist
Since 1980, CPW has collected contemporary prints, video works, audiotapes, and slides in keeping with the Center’s Mission.
This includes a permanent collection of Contemporary Photography (CPW defines contemporary as "living or up to ten years after deceased"). Work is collected for educational programs. The Collection includes the Jean Gaede/ Fritzi Striebel Archive, an historical archive of photographs and audio tapes focused on the Woodstock Maverick Festivals.
CPW's Permanent Print Collection of nearly 1,500 contemporary photographs had been assembled through the generous gifts of artists, individual donors, and since 1995 through a special fund set aside for purchase of works in CPW exhibitions to enhance the collections.
In 1995, CPW's permanent print collection was transferred to the Samuel Dorsky Museum at SUNY New Paltz on a long-term extended loan. The collection has been developed over a period of almost 20 years and includes nearly 1,500 contemporary photographs.
The Samuel Dorsky Museum of Art at SUNY New Paltz opened in fall 2000 in the newly expanded and renovated College Art Gallery (founded in 1964) under the direction of Museum Director, Neil Trager. The museum occupies more than 17,000 square feet of new and renovated facilities, making it one of the largest art museums within the State University of New York.
For almost 35 years, the College Art Gallery has provided direct support to the academic programs at SUNY New Paltz, and has served the surrounding community as a significant cultural resource.
"The urge to collect is thought to be instinctive. We only have to look at the gatherers of nature, and the history of humankind to observe this ubiquitous phenomenon. Collections, whether private or public, are created with different motivations and serve different purposes. Most museums collect to preserve objects of apparent value that otherwise might be lost to the future. Museum collections bring together objects so that they may be used, interpreted, and enjoyed. It is the collection that makes a museum unique."
- From the article, Archival
Matters: The Photography Collections at the Samuel Dorsky Museum of Art by Neil C. Trager, featured in PQ #72.